It is a film that bares its bloody teeth and grins at the end; it's even sneaked a bite out of the viewer.
Dhobi Ghat is a middling debut by Kiran Rao, watchable due to its nuances but simply not interesting enough to recommend.
The Brit host was one of the few, who made the pretty meaningless award show, watchable.
The new Deol film is certainly no Apne.
Turning 30!!! is a collection of cliches running through a harebrained script.
Farah Khan's Tees Maar Khan is so silly, it hurts.
No Problem is devoid of taste, flavour and jokes.
Khelein Hum Jee Jaan Sey is a clumsily structured, unevenly paced film, with very few good moments.
Faruk Kabir's directorial debut initially engages but soon fizzles out.
Guzaarish starts off slow and beautiful, but gradually, sadly congeals into a wet mess.
The best thing that can be said about Golmaal 3 is that it both enters and exits your system rather comprehensively, leaving behind nothing either memorable or of consequence.
Even in a ripoff of a true classic, one expects it to reach 88 miles an hour and bring about at least a moment of genuine thrill. Action Replayy never moves out of second-gear.
Due Date is leading watchable because of lead actors.
If Shyamalan can even churn out a solid, riveting B-movie, it would be a step in the right direction.
There might not be many movies or characters for us to remember him by, but the ones he created are true-blue hall of famers, ones for the ages.
'And then came a mail from Sourabh, talking about how I'd forgotten his birthday but also --in that offhand way -- mentioning how he'd been diagnosed with cancer.'
The music of Sonam Kapoor-starrer Aisha rocks.
The movie is an all-Gibson experience.
Raavan's deadliest sin isn't in the clumsy dialogue, hammy acting or lame, oversimplified adaptation but in that it fails to engage us.